COSTUME IN TRANSITION: A COMPARATIVE STUDY OF OLDANDNEWNOLLYWOOD USING OGBORI ELEMOSO AND ELESIN OBA.

Abstract

This study investigates the evolution of costume design in Yoruba cinema, highlightingitssymbolic and expressive significance through the theoretical lens of Expressionism. It addressesa gap in scholarly literature concerning the transition from traditional to modern costume styles, particularly in how these styles communicate identity, cultural values, and visual aesthetics. Theresearch uses a qualitative comparative methodology, analyzing two films, Ogbori Elemoso(1963) and Elesin Oba (2022), as case studies. Framed within Expressionist theory, the studyexplores how costume functions as a narrative tool that expresses the internal emotionsofcharacters and reinforces Yoruba cosmological and social structures. Data were collectedthrough direct film observation, visual analysis, and supporting literature. The findings reveal atransformation in costume design, with Ogbori Elemoso emphasizing cultural immersionthroughtraditional garments and symbolic accessories, while Elesin Oba integrates traditional fabricswith modern tailoring to reflect emotional complexity and societal evolution. This shift
illustrates how Yoruba cinema continues to preserve heritage while adapting to contemporarytastes. Costumes remain vital in portraying power, status, and identity, with fabrics, colors, andpatterns reflecting deep-rooted beliefs. The study concludes that Yoruba filmcostumes act not
merely as visual elements but as expressive cultural texts that bridge tradition and modernity. Recommendations include deeper cultural research, institutional support, academic integration, and recognition of costume design in cinematic storytelling