THE RATIONALE FOR USING FLUID RENDITION IN STUDYING WATERMELON PAINTING.

Abstract

This paper explores the artistic investigation of the watermelon fruit in painting within studio settings. It probes into the logic behind studio research methodologies, particularly in categorizing paintings based on their unique attributes. The paper critiques the arbitrary expressions and terminology often used by studio researchers, highlighting the importance of reason in categorization. Specifically, it aims to justify the use of fluid rendition in depicting the watermelon fruit in painting. Employing a qualitative approach, the paper examines paintings that embody elements of fluidity, analysing studio results inspired by the fluid characteristics of the watermelon. Examples such as “Race of Destiny” “Entangled,” “Paradox” and “Secret Battle” are discussed in the context of contemporary human experiences.